Troonzetel van koning Willem II, Willem III en Wilhelmina Possibly 1842 - 1898
Dimensions: height 185 cm, width 106 cm, depth 114.5 cm, height 48 cm, width 62 cm, depth 58.5 cm, weight 63 kg
Copyright: Rijks Museum: Open Domain
Curator: It's quite something, isn't it? What a statement of power and opulence. Editor: Absolutely imposing. The first thing I notice is how the textures interact—the smooth, plush velvet against the rougher carved wood, and then the glint of the gilded details catching the light. It’s almost overwhelming, really. Curator: This throne is believed to have been used by King Willem II, King Willem III, and Queen Wilhelmina, so dating it is tricky; we think it originated sometime between 1842 and 1898. What truly strikes me is its historical importance, a focal point for national identity. Imagine the proclamations, the audiences…it’s more than a chair, it's a stage. Editor: Yes, the velvet screams status! But it's more than that; look at the lines. There is clear attention to detail. Each curve and embellishment seems deliberately placed to guide the eye upwards, to the crown on the backrest and then to that second crown being held aloft by those heraldic lions. A clever manipulation of verticality. Curator: Precisely! It is a brilliant fusion of Baroque flamboyance and more modern, sober portraiture styles. This throne also reflects shifting political realities, embodying power at a time when the monarchy was negotiating its role in a changing democratic landscape. Editor: Do you think that’s why it looks somewhat conflicted? The weight of those clawed feet, grounded in gold leaf, trying to support such an elaborate statement above? Perhaps it echoes some sort of visual tension... Curator: Perhaps you're right, and to some extent that mirrors the actual tightrope walk of a monarch holding onto authority. The Horrix Brothers studio crafted not merely an object, but a political prop meant to communicate specific messages about leadership and legacy. Editor: Seeing it this way offers a richer understanding, though I maintain it still appears very much like an interesting study in contrasts. Curator: I agree wholeheartedly; looking at this Throne gives unique insights into both art and societal perspective. Editor: I must agree; examining its construction reveals much regarding period values.
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