Mary, Queen of Scots 18th century

This small print at the Met is a portrait of Mary, Queen of Scots. Born in 1542, Mary lived a life of political intrigue and religious conflict, typical of powerful women in the 16th century. This print is a testament to the power of image-making and propaganda of the time. As a Catholic Queen in a largely Protestant Scotland, and later, as a prisoner of her cousin Elizabeth I in England, Mary’s image was carefully managed and disseminated. Prints like these would have circulated widely, shaping public perception of her. This print presents Mary as a dignified, regal figure. Encased in an oval frame, the inscription labels her status as Queen of Scotland and Queen Consort of France. Yet, we can't ignore the circumstances of its creation; Mary was a controversial figure, viewed by some as a legitimate heir to the English throne. Consider how the image would have been read by different audiences, both supporters and detractors. This print offers a glimpse into the complex interplay of gender, power, and representation in the early modern world.