Gezicht op Luzern met links het spoorwegstation en op de achtergrond de Pilatusberg by Photoglob & Co.

Gezicht op Luzern met links het spoorwegstation en op de achtergrond de Pilatusberg c. 1880 - 1910

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print, photography

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16_19th-century

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pictorialism

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print

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landscape

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photography

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19th century

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cityscape

Dimensions height 212 mm, width 271 mm

Curator: Before us is a photogravure by Photoglob & Co. entitled "Gezicht op Luzern met links het spoorwegstation en op de achtergrond de Pilatusberg," which translates to "View of Lucerne with the railway station on the left and the Pilatus mountain in the background," dating from approximately 1880 to 1910. Editor: It feels like stepping back in time. The muted tones create a tranquil, almost melancholic mood, a sort of staged romanticism. I wonder about the composition – the massive mountain looming over the city feels both protective and a bit threatening. Curator: Indeed. The positioning of the Pilatusberg is key; Photoglob & Co. has consciously used it to evoke ideas of the sublime, of nature’s dominance, a common trope in 19th-century landscape imagery. We have here pictorialism at its finest, where the photography intends to obtain artistic effects, as opposed to purely documentary photography. Editor: That tension, the interplay between nature and the emergent industrial city is interesting. The presence of the railway station speaks to the forces reshaping society, making Luzern a site of transition and connectivity within the continent. It represents progress, yet is dwarfed. Curator: Absolutely. And while progress was idealized, it also brought anxieties. The romantic sensibility favored idyllic nature and folklore. You can see this duality influencing even commercial photography such as this, intending it as souvenir and for wide distribution. Editor: It's compelling how the composition frames Lucerne not just as a beautiful vista but also as a locus of social and economic transformations. The stillness of the lake contrasting with the promise of the train station generates a certain sense of yearning or disquiet about what the future holds for these towns. It's fascinating to think how these photographs were designed to both soothe anxieties while simultaneously selling progress and tourism. Curator: And isn't that often the role art plays? It allows for the staging of a shared understanding and consensus, where tensions can be negotiated, particularly during periods of societal shifts. A lovely piece that captures the nuances of that time. Editor: Precisely. And through the quiet beauty of this photograph, it invites us to critically reflect on the continuing interplay of nature, culture, and progress today.

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