Geiten met minnend paar by Jean Leclerc

Geiten met minnend paar 1597 - 1633

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pencil drawn

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aged paper

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toned paper

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light pencil work

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pencil sketch

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old engraving style

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personal sketchbook

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pencil work

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watercolour illustration

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watercolor

Dimensions height 129 mm, width 157 mm

Curator: So, let’s consider this compelling print now before us, entitled “Goats with Loving Couple,” attributed to Jean Leclerc, made sometime between 1597 and 1633. It’s currently housed here at the Rijksmuseum. Editor: You know, my first thought is—what a mood! It's bucolic, certainly, but also just a tiny bit…awkward? The lovers seem so separate from the goats, almost like they've wandered into the wrong painting. Curator: That separation, as you call it, really strikes at the heart of the work's possible social commentary. Considering the era, representations of idealized pastoral life were often used to both celebrate and critique social mores and class structures. How might Leclerc, through his choices, be engaging with notions of power and vulnerability? Editor: Vulnerability is key here, especially with those scratchy, anxious lines of the shading. And the goats… well, they aren't exactly portrayed as noble beasts! There’s a real contrast there, between their coarse reality and the assumed refined sensibility of the couple. I keep wondering if the artist intended some subtle commentary on their relationship too—like, are they *really* that in love, or are they just performing for the benefit of the goats? Curator: A potent reading! And we shouldn't discount the importance of animal studies during this period. Animals, specifically those within domestic settings, allowed artists to explore concepts of natural order and even project certain human behaviors or emotions. The goats, here, are undeniably central figures. The gazes draw the eye. The whole image dances with class anxieties, romantic pretensions, the grittiness of rural life. It is not all powdered wigs and lace! Editor: Precisely! This piece has an emotional rawness which I am totally here for. Maybe the goats are the true observers, quietly judging our human dramas, you know? It’s making me wonder how my own pets might see my relationships. Curator: The value in artworks such as these is that they prompt self-reflection in connection with the wider social dynamics, cultural codes. They compel us to view the familiar through another lens, even questioning what we assume is immutable about how society functions and intersects in life. Editor: Yeah. Now I have a fresh new take and I love that about art. Okay, I think I'll head home and ask my cat about my romantic life!

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