Moss Rose (Rosa Muscosa), from the Flowers series for Old Judge Cigarettes by Goodwin & Company

Moss Rose (Rosa Muscosa), from the Flowers series for Old Judge Cigarettes 1890

0:00
0:00

drawing, print, watercolor

# 

drawing

# 

print

# 

impressionism

# 

watercolor

# 

watercolour illustration

# 

botanical art

Dimensions sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm)

Curator: Up next, we have an enchanting botanical illustration from 1890 titled "Moss Rose (Rosa Muscosa)", one of a series of flower images made for Old Judge Cigarettes by Goodwin & Company. It is on view here courtesy of the Metropolitan Museum of Art. Editor: Oh, this feels instantly like stepping into a grandmother's garden. There’s a softness, a blush of color that evokes nostalgia. Yet, it’s got a definite structured order around it with an almost fractured pattern around the rose, right? Curator: Indeed. The rose, the primary motif, exhibits soft gradients achieved with watercolor, contrasted against the structured linearity of the background which resembles a crazed tile pattern—or perhaps a very stylised, abstracted hedge or thicket? It's a very fascinating and subtly dissonant visual arrangement, particularly considering its function as a promotional item. Editor: Dissonant, yeah that’s the word! Like the bloom’s vulnerability, pushing against its artificial cage of expectations, even if the cage is decorative... Do you think the muted pink hue affects how we interpret the image's emotional register? Curator: Absolutely. The specific choice of this soft colorway cannot be divorced from the broader conventions and ideological encoding of botanical illustration itself and its entanglement with cultural perceptions of femininity in this era. Its gentle color spectrum invites contemplation. The meticulous lines give the overall effect of organized precision. Editor: It feels like there is this secret world nestled within something utterly commercial. Did folks then pause between puffs and find that? It’s really incredible! Curator: Perhaps the intention was precisely that—to offer a moment of reprieve. Consider the compositional organization alongside the use of perspective: the convergence of these formal elements serves to draw the viewer's focus deeper, fostering this sense of intimate contemplation, even escape. Editor: That is remarkable… thinking about smoke and beauty mingling. It’s amazing to consider all the history folded into this small frame. I appreciate how it layers intimacy into promotional material! Curator: It's a testament to the period's sensibilities—infusing even the most mundane objects with an aura of beauty. We trust our listeners have found their encounter with it illuminating.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.