A. Latham, 3rd Base, St. Louis Browns, from the series Old Judge Cigarettes by Goodwin & Company

A. Latham, 3rd Base, St. Louis Browns, from the series Old Judge Cigarettes 1888

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print, photography

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portrait

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aged paper

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toned paper

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16_19th-century

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yellowing background

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photo restoration

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print

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baseball

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photography

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historical photography

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old-timey

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19th century

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men

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genre-painting

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athlete

Dimensions sheet: 6 1/2 x 4 3/8 in. (16.5 x 11.1 cm)

Editor: So this is a print from 1888, titled "A. Latham, 3rd Base, St. Louis Browns" by Goodwin & Company. The image has a sepia tone, which gives it a vintage feel. There's almost a classical portrait quality to the baseball player’s pose. How do you interpret the visual structure here? Curator: Initially, observe the figure's positioning against the backdrop. Notice how the blurred background plane creates depth while simultaneously isolating the subject. Do you see how the figure’s placement within the rectangular frame interacts with this negative space? Consider the tonal gradations, particularly the contrast between Latham's light uniform and the darker browns in the lower third. This creates a focal point drawing the eye upwards, doesn’t it? Editor: I do. The eye is drawn upward towards his face because it's brighter. I’m interested in the seemingly casual but clearly calculated placement of the bat across his body. It adds to the controlled energy of the composition. Curator: Precisely. And consider the subtle use of line. The verticality of the bat and Latham's stance are cleverly offset by the gentle curve of his arm and the horizontal band of his cap. What do you think is the impact of using an oval vignette and sepia-toned printing instead of just a clear, unmanipulated image? Editor: Well, those aesthetic decisions serve to almost soften the harshness of the athletic image. It gives him a touch of…refinement, maybe? Curator: An excellent observation. It seems Goodwin & Company were striving for something beyond mere photographic representation. It's a study in contrasts, harmonizing strength with gentility through a nuanced understanding of form and materiality. Editor: This gives me a lot to think about, I hadn't really considered the subtleties of form in what I initially saw as a basic photograph. Curator: Indeed. Formalist analysis invites a deeper engagement, unveiling the intentionality and artistry inherent in even seemingly straightforward images.

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