print, etching
portrait
etching
figuration
realism
Curator: Immediately, I’m struck by the dense hatching and the sheer amount of work involved in rendering that fur coat. You can almost feel the weight and texture of it. Editor: It's true; the linework communicates this almost archetypal “man of the people”, though draped in the attire of someone above his apparent status. I see the weight of history on his face, etched into every wrinkle. Curator: Indeed. What's intriguing to me is that the work, called “The Mummer,” is a print by Joseph Simpson. This is no quick sketch. The controlled marks of an etching require acid, careful timing, and repeated actions to reach this level of detail. Editor: “Mummer," as in, an actor who doesn’t speak, whose movements and symbolic garb matter most, speaks to your perspective on art history I suppose, as that coat—and that tilted top hat!—is practically screaming status. Yet there is the mundane reality of production behind it. Curator: Absolutely, but it’s the deliberate layering of meanings that captivates me. Consider the man’s cigarette—a relatively modern element for the time—juxtaposed with the antiquated formality of his other garments, creating a kind of temporal collage. It pulls at our notions of memory and role-play. Editor: And there's also labor involved in making the materials. Consider, how would he get access to such exquisite items during his era? There's got to be a consideration of commerce, extraction and trade. The work brings up issues around availability and consumption. It forces us to wonder whether the "character" he is trying to be even maps on to current times. Curator: I agree; It's also an excellent example of the artist wrestling with how to convey those realities visually. The careful use of the etching process enables that layering, offering details of human drama alongside a cultural critique. It speaks volumes with so little background narrative, it doesn't need much more than this. Editor: Yes, considering that Joseph Simpson gave attention to the realities surrounding access and craft helps you dive in further to extract more relevant truths from the etching. Curator: Absolutely—an intersection of making, memory and cultural meaning that lingers. Editor: Quite a complex character for something rendered so efficiently and with so few resources; definitely something to contemplate and expand on in your own minds, viewers.
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