XXXII Ad pompam tantum 1614

This engraving by Roemer Visscher, dating back to the early 17th century in the Netherlands, critiques the vain displays of wealth and status among the Dutch elite. The image, paired with text, presents a figure adorned in extravagant clothing, emphasizing outward appearance over substance. Visscher's work reflects the social tensions of a rapidly changing society, where mercantile success led to new forms of conspicuous consumption. Such displays of wealth were frequently criticised, viewed as a threat to traditional values of modesty and piety. This print challenges the cultural values of the Dutch Golden Age. As historians, we consult period literature, economic data, and social commentaries to understand the complex interplay between art, wealth, and social values in the making of this artwork. The meaning of art is always contingent on social and institutional context.