Seated Dog by Francesco Solimena

Seated Dog 1710 - 1715

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drawing, pencil

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drawing

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baroque

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pencil

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history-painting

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academic-art

Dimensions: 7 1/2 x 4 9/16 in. (19.05 x 11.59 cm) (sight)14 3/8 x 11 3/16 in. (36.51 x 28.42 cm) (outer frame)

Copyright: Public Domain

Editor: Here we have Francesco Solimena's "Seated Dog," a pencil drawing from the early 18th century. There's something very endearing about this pup's simple presence. What do you make of this piece? Curator: This dog, though seemingly simple, sits within a fascinating visual and cultural history. Dogs have long symbolized loyalty, guardianship, even fidelity - particularly within the visual lexicon of European art. Consider, what qualities are being subtly projected onto the sitter in the portrait through its inclusion? The alert posture and upward gaze? Are these being symbolically transferred onto the depicted human? Editor: That's a really interesting point. So, are you saying the dog isn't just a dog? Curator: Rarely. Even a simple drawing like this engages with that symbolic weight. Think about dogs in mythology – Cerberus, guardian of the underworld. Dogs can also represent aspects of the human psyche: loyalty but also instinct. In what other contexts might we understand dogs during Solimena’s time? Is this perhaps a noble dog? A hunting companion? These factors would be clues. Editor: Wow, that really changes how I see it. So much more than just a drawing of a dog! I'll definitely think differently about the animals I see in art from now on. Curator: Indeed. What seemed like a simple sketch holds centuries of layered meanings, demonstrating the powerful cultural memory embedded within images.

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minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

This is a preparatory study for the white dog in the lower right corner of Francesco Solimena's enormous but sadly destroyed fresco Massacre of the Giustiniani at Chios. The painting was commissioned by the Giustiniani family for the Palazzo Ducale in Genoa and executed 1710-15. A large-scale, highly finished oil sketch by Solimena in the Capodimonte in Naples records the appearance of the lost painting, and the scale of the dog in the Minneapolis drawing appears to be the exact size of the dog in the oil sketch.

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