Twee kinderen op een paardenkoets voor een woning (vermoedelijk) te Den Haag c. 1890 - 1910

This photograph, captured by Wilhelm Frederick Antonius Delboy, freezes a moment of privileged childhood, likely in the late 19th or early 20th century. It would have been made using a glass negative, a labor-intensive and technically demanding process. The resulting image, carefully printed on paper, has a sepia tone, adding to its antique charm. The photograph itself is the product of a specific mode of production. Photography in this era was both a scientific process and a skilled craft. The photographer would have to be knowledgeable about chemistry, optics, and printing techniques. This image, therefore, represents not only a scene but also the expertise of the photographer and the resources necessary for its creation. The scene captures two children on a horse-drawn carriage, highlighting the social status and economic privilege of the subjects. The image embodies the relationship between artistic expression, material culture, and social class. By considering photography's role within a broader network of labor, politics, and consumption, we can understand the layers of meaning embedded within it.