Sphere Surface with Fishes Colour 1958

Editor: So, here we have M.C. Escher's "Sphere Surface with Fishes Colour" from 1958, made using the intaglio printmaking technique. It gives me the feeling of staring into some kind of vortex. What strikes you when you look at it? Curator: Ah, Escher! He takes us to the looking glass, doesn't he? This particular print, it always feels like a conversation between order and chaos, or perhaps reality and illusion, that's constantly reshaping itself. There's this meticulously rendered sphere covered in what looks like…well, what do you see? Fish, right? Editor: Yes, fish! Arranged in geometric patterns that create a dizzying effect. How does he create this optical illusion, that kind of transformation? Curator: Think of it like this: Escher's playing with perspective, geometry, and a dash of what I call "controlled insanity." Each fish is precisely placed, each shape is calculated, so it looks like the entire sphere is expanding or contracting. It's like a mathematical equation come to life! Did you notice that the colours subtly shift too? That ramps up the disorientating effect. Editor: Yes! So the way they repeat creates this spiral towards the centre, really drawing your eye into that middle ground. It almost feels alive, but in an artificial way. Curator: Exactly! The artifice is the point. Escher is using art to bend our perception of reality. He prompts the viewers to reconsider the relationship between dimensions, geometry, and the very nature of representation. It's a fantastic brain teaser, wrapped up in a beautiful, if somewhat unnerving, package. What does this awaken in you? Editor: I think I need a new prescription after that! The way you framed that feels like I’m seeing how structure and fluidity can clash in the most fascinating way. Thanks. Curator: My pleasure. I think this print does make us want to reach a new level.