Exorcism of the Demons at Arezzo 1299

Editor: Here we have Giotto’s fresco, “Exorcism of the Demons at Arezzo,” from around 1299, found in the Basilica of Saint Francis of Assisi. I’m immediately struck by the looming architecture compared to the relatively small figures, and then, those dramatic winged demons! What is the cultural significance of staging this exorcism within a cityscape? Curator: The choice of setting tells us a lot about the sociopolitical landscape of the time. Cityscapes in medieval art weren't just backdrops, but active participants. The exorcism taking place in Arezzo underscores the very real social anxieties around civic order. Giotto is not simply illustrating a miracle but making a powerful statement about the Church's role in maintaining social and moral stability within a community riddled with internal conflicts. Look how the church building is massive. Editor: So the presence of demons emphasizes real-world social ills? Were people in Arezzo literally afraid of demons in the streets? Curator: Perhaps not literally demons with wings and tails, but yes, they likely would’ve felt as if there was evil in the city. Images like this functioned as a kind of visual propaganda, reminding the public of the Church’s power to cleanse the community and keep those dark forces at bay. How else could this location be significant? Editor: The way Giotto rendered the city, almost as another character, influencing events… and the church as more important than everyday life. Thanks for pointing that out. Curator: Glad to shed light on this work, these medieval frescos have a lot more to tell if you can look past the pretty figures. Editor: Exactly! The layers of social and religious meaning enrich the piece far beyond its surface depiction.