The Devil Rides Out 

Editor: This is "The Devil Rides Out," a graphic art piece by Robert Sammelin. It reminds me of a vintage movie poster, with that intense, almost campy, vibe. What strikes you when you look at it? Curator: Camp! Yes, exactly. Sammelin understands the delicious appeal of Hammer Horror. This poster practically screams, doesn’t it? There’s Christopher Lee, of course, elegant and imperious, but hemmed in by chaos – the helpless woman, the skull, the beast itself. It's all slightly absurd, knowingly so, and that’s where the artistry lies. Editor: I see what you mean about the chaos. I hadn't really picked up on the theatricality of the scene before. Is there anything else about the way the poster is made, that catches your eye? Curator: Look at the colour palette – those intense reds and blues, juxtaposed with the pale yellows and pinks, that's pop art sensibilities informing the overall aesthetic, even though it references much older source material. This, and his obvious affection for the genre tropes, elevate it beyond a mere imitation. It feels like a playful homage, a wink to those who get the reference, wouldn't you agree? Editor: Absolutely. It’s clever how he blends nostalgia with a modern feel. I am struck by the juxtaposition now between this serious suited actor, and the pulp horror elements, it's like two different worlds crashing. Curator: Exactly! That collision is the point. He's having fun subverting expectations, which is what good art should always do, to a certain extent, don't you think? Editor: Definitely! I'm starting to see how much thought goes into making something look 'campy'. Thanks!