Portret van een jonge vrouw met pijpenkrullen in een lange jurk by Wm. Cobb.

Portret van een jonge vrouw met pijpenkrullen in een lange jurk 1864

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photography

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portrait

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photography

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historical fashion

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19th century

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genre-painting

Dimensions height 86 mm, width 51 mm

Curator: My first thought? Seriousness! An incredible stillness emanates from this young woman—almost palpable. It really grounds the piece, doesn't it? Editor: Indeed. We're looking at an albumen print from 1864. Its title, "Portret van een jonge vrouw met pijpenkrullen in een lange jurk," translates directly to "Portrait of a young woman with ringlet curls in a long dress." Curator: That is, literally, what we see. It's quite...direct. She appears in this voluminous, light-colored gown with what I imagine must have been quite fashionable at the time: intricate ringlets around her face. She’s wearing, what is that, a little striped bolero jacket? Editor: The jacket definitely adds to the structure. It provides an important formal context, and contrasts with the youthfulness suggested by her ringlets, perhaps giving us some information about how such portraits functioned to consolidate social position at the time. The artist, by the way, is recorded as Wm. Cobb. Curator: Cobb captures her reserved grace quite skillfully. It feels formal, certainly, yet there’s a whisper of melancholy in her expression that transcends the photographic process itself. It gives her presence, sets her apart, in a way that's deeply compelling. It must have taken forever to pose for such a photo back then! Editor: Given its existence as a photographic portrait during the mid-19th century, there’s that push and pull, that tension, between emerging bourgeois aspirations of upward mobility and established structures of patriarchy and hierarchy—it suggests her image operates both as a display of individual achievement and as a tool for enforcing certain forms of normative behavior. Curator: Yes, there's something simultaneously captured and held. It’s a potent intersection to consider and, despite the literal rendering of the subject, still feels open. Thanks, Cobb. And you, for highlighting how an image carries history so readily. Editor: And thank you, for pointing out the magic a single gaze can hold across centuries.

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