painting, oil-paint
portrait
baroque
painting
oil-paint
orientalism
genre-painting
Dimensions: height 90 cm, width 120 cm, weight 10.0 kg
Copyright: Rijks Museum: Open Domain
Editor: Here we have Jean Baptiste Vanmour’s “The Meal in Honour of Ambassador Cornelis Calkoen,” painted sometime between 1727 and 1730, using oil paint. There's something undeniably grand about the scene, but it feels a little… staged, almost like a play. What catches your eye? Curator: Oh, that theatrical feeling is spot on! Vanmour wasn't just painting a meal; he was capturing a carefully constructed performance of diplomacy. The architecture looms above it all like some great dream or stage set, doesn’t it? That architecture! That ornamentation! Do you think that Vanmour was familiar with all of this architecture firsthand? I rather doubt it. Editor: It does seem incredibly detailed! Is that a Baroque influence, perhaps? Curator: Absolutely. There’s a touch of Baroque theatricality – that sense of drama and spectacle – blended with what was then considered "Orientalist" fascination. The whole painting feels like a bridge between worlds, or at least, a European fantasy of one. It whispers questions to me, it doesn’t shout them, you know? Editor: A bridge, definitely! It’s interesting how Vanmour balanced the formal portraiture with a genre painting’s attention to daily life. Is it an accurate depiction, though? Curator: “Accurate” is such a slippery word! Probably no. Think of it more as a translation, a story told through a particular lens. It reflects both what Vanmour saw and what his audience expected to see. Did Ambassador Cornelis Calkoen really matter? How will that matter in 100 years, or even 300 years? Only time will tell, I guess. Editor: So, it's less about historical fact and more about cultural perception? Curator: Precisely! That's a delicious thought. A meal not of food, but of ideas. Editor: This conversation shifted my perspective entirely. I was too caught up in the immediate imagery. Curator: Exactly. I guess I also learned that sometimes the most interesting thing about a picture, like anything else, is how our perceptions shift over time, which adds even more deliciousness.
Comments
As part of the ceremony, Calkoen attended a meeting in the divan or council chamber of the palace, after which he and his retinue were offered a meal by the grand vizier. This meal is shown here. At centre, across from the grand vizier, Calkoen sits on a low stool, flanked by two interpreters. The sultan could listen (unnoticed) behind the small grilled window above –hence called ‘the Eye of the Sultan’.
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