Platter 1811 - 1833

Editor: This intriguing platter, created between 1811 and 1833 by John & William Ridgway, is made of stoneware and depicts an English cityscape. I am captivated by the blend of landscape and architecture, with figures adding a human touch. What do you see in this piece from a historical perspective? Curator: This platter offers a glimpse into the construction of English identity during the early 19th century. The Neoclassical architectural style suggests a reference to reason and order, ideals then tied to notions of progress. How do you think the depiction of such architecture on everyday ceramics served a socio-political function? Editor: Maybe it was a way to instill those values within the population, normalizing this "ideal" English lifestyle for everyday consumption? It’s interesting how a functional item can carry such a symbolic load. Curator: Precisely! Everyday objects like these, circulating within British homes, played a part in reinforcing specific ideologies. Moreover, consider how the romanticized landscape setting subtly emphasizes notions of English ownership and cultivation of land. Does this artwork's function influence your perception? Editor: Definitely. Knowing that it's a platter used for serving makes me wonder about the conversations held around it, reinforcing the landscape or ideals as a dinner table topic. The piece feels more "everyday," making me realize its importance in public life. Curator: Indeed. Studying decorative arts helps us to better appreciate how cultural and political values can permeate everyday objects, turning them into silent, yet influential, narrators of history. Editor: That's fascinating. I’ll never look at decorative arts the same way again. Curator: Nor will I, thanks to your insight on domestic dialogues.