Sir James George Frazer 1922

Editor: This is Antoine Bourdelle's portrait bust of Sir James George Frazer. It's undated, but the detail in Frazer's face is striking. I'm curious, what can you tell me about the social context of portraiture at this time? Curator: Well, publicly commissioned portraits, especially of academics like Frazer, were often intended to project authority and intellectual prowess. Bourdelle's style clashes with that, doesn't it? Editor: It does! There is a sternness to it, for sure, but the raw texture prevents it from feeling like propaganda. Curator: Right. Bourdelle’s rough handling of the material and almost classical presentation speaks to the changing perception of public figures and the move toward a more... human portrayal. The 'truth' about a man in all his flawed glory. Editor: That’s a helpful way to consider how societal views shaped artistic expression. Curator: Indeed. It also reveals how sculptors walked the tightrope of depicting public figures.