Galvanoplastische reproductie van een komfoor before 1878

This is a galvanoplastic reproduction of a stove, made by Elkington & Co. Sometime between 1829 and 1963. During the 19th century, technological advancements such as electroplating allowed for the democratization of luxury goods. This piece reflects the complex interplay between industry, artistry, and access. While the original stove was probably crafted from precious metals for the elite, this reproduction made the aesthetics of wealth accessible to a broader audience. Consider for a moment, the cultural implications of such replication. How does the ability to reproduce objects of status change our understanding of value, class, and identity?