Jarro de Pico 1585 - 1599

Editor: Right now we're looking at a rather ornate pitcher called "Jarro de Pico" by Hernando Solis, crafted sometime between 1585 and 1599 from silver, brass and perhaps other metals. I'm struck by how meticulously detailed and *imposing* it feels. It's not something you'd see every day, that's for sure! What jumps out at you when you look at this piece? Curator: Ah, yes! It practically whispers, doesn't it? Makes you wonder what tales it could tell from dimly lit feasts of Renaissance nobles? To me, the obvious feature that catches my attention is the Janus-like face, which links the form to classicism; also consider, what do you see beyond its ornate design – in its *purpose*? Editor: Hmm, purpose... beyond holding liquid? The face makes it decorative and maybe symbolic, rather than functional. The handle doesn't look particularly easy to grip, to be honest! Curator: Precisely! It embodies Mannerism. Functionality becomes secondary. See how the face, this rather stern character almost seems to *emerge* from the pitcher, questioning us with every pour. It suggests a society obsessed with status and appearances, not just utility. I like to think about the artist pouring himself into this craft—literally investing *hours*. What message about time and quality is delivered? Editor: So, it’s less about having a drink and more about showing off? It does make me think about modern design now. Things that are luxurious first, and practical only as an afterthought! The craftsman had something to say about quality time, for sure. Curator: Precisely. Almost an "anti-statement," perhaps. Art isn’t always supposed to be easy or accessible, isn't it? That, in itself, *is* a statement. I can appreciate what Solis made from base metals into something quite marvelous. Editor: I guess I hadn't thought of it like *that* before. Looking closely has definitely given me a whole new appreciation for works like this one. Thanks for sharing your perspective!