Voorspoed van West-Friesland, penning geslagen naar aanleiding van het gedicht Westfrisia door Velius by Jacob (1611-1648) Uyttenwael

Voorspoed van West-Friesland, penning geslagen naar aanleiding van het gedicht Westfrisia door Velius 1617

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metal, sculpture, engraving

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baroque

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metal

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landscape

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sculpture

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engraving

Dimensions diameter 4.9 cm, weight 57.32 gr

Curator: This coin, dating from 1617, is titled "Voorspoed van West-Friesland, penning geslagen naar aanleiding van het gedicht Westfrisia door Velius," which translates to "Prosperity of West Friesland, a medal struck on the occasion of the poem Westfrisia by Velius." It was designed by Jacob Uyttenwael. Editor: It’s immediately striking how dynamic it is, even though it’s a small, circular object. The ship cutting through those stylized waves gives a real sense of forward movement, of power. Curator: Indeed, it captures the spirit of West Friesland at that time. The poem by Velius, for which the coin served as a memento, undoubtedly emphasized themes of trade, maritime prowess, and regional pride. A tangible manifestation of regional identity and aspiration, we see the emergence of West Friesland on the world stage. Editor: And those aspirations, tied so directly to maritime power, also speak to a more complex history, don’t they? Trade at this time involved exploitation and colonialism. This idealized vision papers over a reality built on uneven power dynamics. The success and "prosperity" celebrated here came at a considerable cost for many. Curator: Of course. Medals such as this one were tools of power, visual symbols meant to shape perception and solidify the ruling class's legitimacy. The landscape depicted is strategic, a projection of dominion, subtly telling a story that benefits certain powerful factions. Editor: It makes you wonder who these coins were made for, who held them, and what conversations they sparked. It serves as a fascinating material record of that era. How narratives were being shaped and disseminated at a pivotal moment in history. A beautiful object that prompts questions about justice, inequality, and whose stories are being centered in its design. Curator: It’s a potent reminder that historical objects, even ones seemingly simple and celebratory, require us to explore the wider network of cultural values. Its artistic merit is forever connected with its sociopolitical origins. Editor: Agreed, this Baroque token compels us to navigate the past critically and connect historical art to present-day discussions about representation.

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