Tournament Book of Knightly Acts (Thurnier Buech Warhafftiger Ritterlicher Thaten) 1561
drawing, print, ink, woodblock-print, woodcut
drawing
medieval
ink
woodblock-print
woodcut
Dimensions 11 7/16 x 8 1/16 x 13/16 in. (29 x 20.5 x 2 cm)
Curator: Here we have a page from Hanns Lautensack’s "Tournament Book of Knightly Acts," printed in 1561. What strikes you about it? Editor: Immediately, the graphic quality of the prints and the texture of the page. You can almost feel the absorbency of the paper. What was the printing process? Curator: This image combines woodcut and ink. Each image would have been painstakingly carved into woodblocks before being printed. It documents tournaments held near Vienna in 1560. The symmetrical composition, with heraldic symbols framing the text, lends the page a formal, almost ceremonial air. Editor: The texture really underscores its functionality as an object meant to be used and circulated. These events, the tournaments, were for show, but also exercises in skill that held real consequences for maintaining political order, a sort of advertisement. You see this intention so clearly in the details rendered using these craft methods. Curator: Exactly. The overall structure certainly projects authority, with the central text acting almost as a royal decree. Observe how the different coats of arms act like symbolic gatekeepers to the written word, elevating its importance through visual association. Editor: Looking closely, the detail within each crest feels somewhat crude. The materials suggest that it may have been created quickly, which may highlight its accessibility among certain publics during this period. Curator: True. This wasn’t about refined detail; it was about conveying a clear message of power, legacy, and allegiance. It's a visually dense heraldic family tree of sorts! Editor: A kind of material performance meant to reinforce social bonds between elites using paper and ink. That feels so contemporary to observe from our historical vantage point. Curator: Well, analyzing its structure shows us that image-making practices still mirror society's enduring values, don't they?
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