Elevation of the Amphitheatre and Entrance Gate of the Collège des Chirugies, Paris 1747 - 1757

Editor: This is Jacques François Blondel’s “Elevation of the Amphitheatre and Entrance Gate of the Collège des Chirugies, Paris,” created between 1747 and 1757, a drawing and print of an architectural design. I find the composition fascinating, with the gate above the building elevation; it's like a study in contrasts. How do you interpret this work from a formalist perspective? Curator: Precisely, the composition orchestrates a dialogue between planar and volumetric forms. The linear precision of the architectural drawing underscores a clear structural logic. Note the stark contrast between the geometric gate and the spherical dome: how do these opposing forms inform your understanding of architectural intention? Editor: I see that the dome is grand and imposing while the gate seems more… decorative? Like it emphasizes entry. Curator: Observe the detailing. The measured rhythm of the fenestration and the subtle play of light and shadow enhance the monumentality. Blondel's manipulation of perspective invites contemplation on architectural space. Semiotically, what do these architectural choices suggest to you? Editor: Maybe a structured society with openness at its core? The symmetry feels balanced and intentional. It seems every detail is placed deliberately. Curator: Indeed. This reflects the burgeoning principles of Neoclassicism and the architectural theories rooted in reason and order. Blondel sought to establish these ideals through his designs. Editor: That emphasis on geometry makes sense in light of what you say. I hadn't picked up on that. Curator: Formalism allows us to see how Blondel created symbolic meaning through shape and composition. What a keen study! Editor: Absolutely! I’ll certainly be paying more attention to the deliberate choices in the composition going forward.