An Arrival and Entrance at Genoa and the Palazzo of the Signori Spinolla 1681

Editor: Here we have Melchior Küsel's "An Arrival and Entrance at Genoa and the Palazzo of the Signori Spinolla," a small engraving. The textures achieved with such simple lines are fascinating. What stands out to you about its production? Curator: I'm drawn to how this print reproduces the architecture and activities of Genoa. The labor involved in quarrying the stone, transporting it, and constructing the Palazzo Spinola – all facilitated by maritime trade – is implicitly celebrated here. Consider the economic forces at play, shaping both the city and its representation in art. Editor: So, you're saying the print isn't just about aesthetics but also about the materials and processes behind Genoa's prosperity? Curator: Precisely. The engraving itself is a product of labor and commerce, reflecting the very dynamics it depicts. It makes you think about the relationship between art, labor, and the socio-economic context, doesn't it? Editor: Absolutely! It’s a new way to appreciate the piece by thinking about its production and context.