William O'Connor, Oarsman, from World's Champions, Series 2 (N29) for Allen & Ginter Cigarettes by Allen & Ginter

William O'Connor, Oarsman, from World's Champions, Series 2 (N29) for Allen & Ginter Cigarettes 1888

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drawing, print, photography

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portrait

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drawing

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print

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impressionism

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caricature

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figuration

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photography

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watercolor

Dimensions Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm)

Curator: So, what do you make of this… well, almost awkwardly charming portrait of William O'Connor, Oarsman? It’s part of a series made in 1888 for Allen & Ginter Cigarettes. Editor: My first thought? Nostalgia tinged with something… almost melancholy? It’s this strangely detached pose, crossed arms, yet those rosy cheeks give it a… delicate vulnerability. Also, it's like a sepia-toned memory, presented on what feels like disposable cardboard. Curator: Disposable but decidedly desirable, initially. These were designed as trading cards. Tobacco companies aimed to boost sales, turning everyday smoking into a treasure hunt of sorts. Editor: Right, the social context screams commodity fetishism! Imagine the hands that made this – from the photography studio to the lithography presses and the factory lines churning out those cigarette packs. Labor made visible, however obliquely. What about the material? Is this watercolor, maybe touched with litho crayon? Curator: Spot on! It blends photography, watercolor, and lithography to give the image a soft, almost ethereal quality, and also help replicate hundreds, perhaps thousands of these images onto a cigarette card. Those techniques feel like it captures a very specific moment, but I almost want to read something deeper. O’Connor looks self-possessed. A hero for the everyman, or at least the smoking everyman. Editor: Well, it all boils down to process and class, doesn't it? Allen & Ginter commodified athleticism. This small print turned O’Connor, and his skills, into just another consumable item. The production cheapens what feels heroic on the surface. And the impressionistic, softened qualities really point toward this. Curator: Perhaps it's both elevated *and* cheapened. His skill forever immortalized but, ultimately, used as bait. But there's a beauty, or maybe a sorrow, in that collision. The grand athletic achievement distilled into something small enough to slip into a pocket. Editor: A fitting end, perhaps, for our reflections: It serves as a material reminder of how mass production transforms our heroes. Curator: Indeed, from sporting icon to pocket-sized inspiration… a little smoky reminder of fleeting glory and material excess.

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