Nissaka c. 1832 - 1833

Editor: "Nissaka," a print made with ink and watercolors by Utagawa Hiroshige around 1832. At first glance, I feel a sense of tranquility despite the uphill path depicted. What stands out to you when you view this work? Curator: Oh, tranquility definitely hits the nail on the head! Hiroshige’s ability to capture that meditative quietude of travel is pretty amazing, wouldn't you say? I always think of Basho’s haikus when I see this… that same blend of keen observation and deep feeling for nature. Notice how the road almost seems to disappear into the hill, winding up like life itself? There’s this quiet strength in the composition, how nature seems to embrace the travelers, not overwhelm them. Editor: I see what you mean about the road being like life! So, is this winding path part of a larger narrative? Curator: Absolutely! It’s one in a series called *Fifty-three Stations of the Tōkaidō*. Back then, you'd be walking for days, even weeks, on that road, contemplating everything, no earbuds blasting the latest hits. What do you think those travelers were thinking about, I wonder? Editor: Maybe their destination, or the pains in their feet! But this print, it’s more than just a record, right? Curator: Bingo! It's like a poem etched in wood and ink, don’t you think? Editor: Yeah! I came looking for art history, but I'm leaving with a walking meditation. Curator: Right? I think that's the magic of Hiroshige—he invites us into the journey, not just the view.