Portret van een vrouw 1860 - 1900

This portrait of a woman by J. Rebreget is executed through the photographic process. Unlike painting or sculpture, the photograph relies on the optics of light-sensitive materials. Photography democratized portraiture, making images like this accessible to a wider public, not just the wealthy. The carte-de-visite, of which this portrait is a prime example, emerged in the mid-19th century as a popular way to collect and exchange images. The production of these small photographs was streamlined, reflecting industrial principles of efficiency and reproducibility. The albumen print, made from egg whites, gives the image its distinctive sepia tone and smooth surface. This delicate process reminds us that photography, though seemingly objective, is deeply rooted in material processes and labor. By recognizing photography's roots in craft and industrial production, we gain a deeper understanding of its social and cultural significance, breaking down traditional barriers between art forms.