Three Studies for ‘Thetis in the Forge of Vulcan Watching the Making of Achilles’ Armour’ c. 1710

Curator: This is Sir James Thornhill's "Three Studies for ‘Thetis in the Forge of Vulcan Watching the Making of Achilles’ Armour." Editor: I’m immediately struck by the dynamism conveyed through these sketched figures; you can almost hear the clang of the hammers. Curator: Indeed, these quick studies provided Thornhill the opportunity to experiment with the composition and visual narrative from Homer’s Iliad, depicting Thetis commissioning armor for her son. Editor: The energy! And the way he uses line to suggest form and movement - it's all about the implied weight and force. Semiotics at play. Curator: Well, consider the cultural context: Thornhill was seeking to elevate British art and artists, modelling himself after continental masters to secure commissions. Editor: Still, the power lies in those forceful marks, distilling the heroic narrative into pure visual energy. Curator: Absolutely, and his role within the art establishment influenced the trajectory of British art. Editor: I see a compelling, energetic study in line and form. Curator: And I see Thornhill’s ambition to transform British art and manufacture through mythological storytelling.