Moccasin 1935 - 1942

Editor: We’re looking at "Moccasin," a drawing from between 1935 and 1942 by Mary Berner, rendered in colored pencil and pencil on paper. It depicts two exquisitely detailed moccasins. There's something very delicate and intentional about it. What do you see in this piece, and how might we interpret its significance? Curator: Considering the period and the subject, my immediate thought goes to the broader social and cultural context. These weren't just depictions of moccasins; they represent cultural preservation. These types of works, especially when made in the mid-20th century, played a vital role in documenting Indigenous craftsmanship and artistic traditions during a time of significant cultural disruption. What do you notice about the style? Editor: I’m struck by how realistically she renders the beadwork, all that intricate detail, even though it’s "just" a drawing. Almost photographic. Was she deliberately trying to preserve the image of the original object? Curator: Exactly. These depictions could serve as a record, a way of remembering and maintaining cultural memory when the actual objects themselves might have been lost or sold. This highlights the role of museums, galleries, and even individual artists in shaping public perception and engagement with Indigenous art. The choice of moccasins, as a highly personal item, speaks to something intimate and meaningful. How do you think this impacts the imagery's power? Editor: It’s interesting. Focusing on something so personal—footwear—makes it a powerful and approachable entry point. By zooming in on that, we avoid the risk of turning Indigenous culture into a distant spectacle. Curator: Precisely. Berner focuses on a part of Indigenous life and labor, something utilitarian yet very personal, moving away from typical representations. I agree with you; it shifts the power. I hadn't thought of it that way before. Thank you!