Editor: Here we have Hieronymus Cock's "Temptation," an etching with a detailed landscape. The figures of Christ and Satan are almost hidden in the trees. What can you tell me about its historical context? Curator: It's fascinating how Cock situates the temptation within a vast, almost overwhelming landscape. This reflects a shift in the 16th century, where landscapes gain prominence beyond mere background. How does this relate to the period’s religious and political tensions, do you think? Editor: I see what you mean! This work places spiritual events within the natural world, giving them a broader public resonance. I've learned so much! Curator: Exactly! The choice of etching also democratized the image, making it more accessible and contributing to wider societal discussions about faith and morality.
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