Gezicht op de Davidstraat in Jeruzalem, in de verte de fotowinkel van F. Nicodeme by American Colony

Gezicht op de Davidstraat in Jeruzalem, in de verte de fotowinkel van F. Nicodeme 1898 - 1910

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photography, gelatin-silver-print

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pictorialism

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landscape

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street-photography

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photography

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ancient-mediterranean

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orientalism

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gelatin-silver-print

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cityscape

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street

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realism

Dimensions height 227 mm, width 215 mm

Curator: Ah, what a scene. I see movement, a palpable sense of a day unfolding. It’s sepia-toned and dreamlike. The cobblestones underfoot… I can almost hear the echoes. Editor: Indeed. This gelatin silver print, likely taken between 1898 and 1910 by the American Colony photographers, captures David Street in Jerusalem. Note the city wall on the right of the frame. The print itself is an excellent example of Pictorialism, a late 19th, early 20th-century style characterized by its soft focus, romantic, and often painterly aesthetic. Curator: "Painterly" is right. It's less about razor-sharp detail and more about capturing a feeling, isn't it? You feel that timelessness that comes with the old cities, and yet...there’s daily life bustling there, a beautiful clash. Like poetry whispered in the marketplace. Editor: Precisely! These photographers were often interested in presenting the Holy Land as a bridge between ancient history and the modern world. Consider the Orientalist themes. It highlights a Western gaze upon this particular cultural context. The American Colony saw themselves not merely documenting but interpreting Jerusalem. Their work circulated widely, shaping Western perceptions. Curator: So, it’s like a cultural filter, isn't it? We’re not seeing pure "reality", but their crafted vision of it? Still, isn't it striking? The eye is led through the composition, like wandering through a crowded street, and yet it offers so much serenity in that single frame. The details in shadows, you know...it holds so many untold stories of everyday life. Editor: Absolutely. Even a simple image can become a complex representation of its time. One sees this tension of social realities and artistic idealizations of "other" cultures. In this photograph, we encounter the layered historical, cultural, and aesthetic forces at play during this crucial period. Curator: Makes you want to reach out to touch the wall, taste the air, doesn't it? An experience...captured in shades. It is a testament to human ability of conveying moments. Editor: Yes. Considering the photographers, their intentions, the subjects, the technology and then to simply look...it all culminates in this single photograph. It truly is fascinating.

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