Saint Mark c. 1425 - 1435

This miniature of Saint Mark was made by an anonymous artist using ink, tempera, and gold leaf on parchment. The materiality of this work influences its appearance significantly. The parchment, carefully prepared animal skin, provides a smooth, absorbent surface for the delicate application of tempera paints. See how the fine brushwork captures the details of the saint's robes, the lion, and the intricate floral border. The gold leaf, applied meticulously, brings a sense of divinity, and reflects light, adding a precious quality to the artwork. The creation of such miniatures was a labor-intensive process, involving the skills of parchment makers, scribes, and illuminators. These individuals often worked collaboratively, reflecting a medieval workshop system. The value of the materials, the skill of the artist, and the time invested all contributed to the high status of illuminated manuscripts. Considering the materials, making, and historical context allows us to appreciate the artistry and cultural significance of the work, challenging conventional notions that separate art and craft.