Theefabriek Kertamanah gebouwd door Machinefabriek Braat Soerabaia 1934 1934
photography, architecture
photography
geometric
constructionism
cityscape
architecture
Curator: This is a photograph titled "Theefabriek Kertamanah gebouwd door Machinefabriek Braat Soerabaia 1934," which translates to "The Kertamanah Tea Factory built by Machinefabriek Braat Surabaya 1934.” Editor: Surabaya! What a wonderfully evocative name. Immediately I sense this feeling of striving; geometric scaffolding climbs all over the building skeleton. I see a modernist ghost ship rising from the Javanese soil, a promise waiting to be fulfilled. Curator: It’s a fascinating artifact, documenting the construction itself. This factory embodies that period's ambitions, doesn't it? Using steel and glass, products of industry, in its very construction to… well, produce! You can see constructionism quite clearly here. Editor: Exactly! It reminds us that even something seemingly functional is laden with cultural and historical choices. Look at the balance between form and functionality. But, to build such a large structure must have demanded much labor… were the locals employed or shipped over? Curator: It makes one wonder. I’m drawn to the light, though. It hints at tropical heat shimmering on these austere surfaces. Editor: And reflecting. This emphasis on capturing the interplay between labor and materiality asks important questions about art itself. Where do we draw a line between function and creation, when something like glass can act as a canvas? Curator: Perhaps we draw a line when the process takes precedent? Still, I like seeing buildings in this nascent stage… full of promise and grit. It humanizes the structure somehow, shows its evolution from idea to realization. Editor: Absolutely. It gives an authentic rawness, making us consider not only the "what" but the "how" and "why." These structures of consumption and productivity echo across society, so much so, yet they began right there on the scorched earth, from plans written on thin rice paper. Curator: So perhaps this image freezes it in transition between utility and exploitation… Editor: Ultimately. In truth it reveals them as part of the very same spectrum.
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