Hyrden og hunden. Nr. 7 i Chr. Winther og M. Rørbye, "25 Billeder for små børn" by Adolph Kittendorff

Hyrden og hunden. Nr. 7 i Chr. Winther og M. Rørbye, "25 Billeder for små børn" 1846

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lithograph, print, etching

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lithograph

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print

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etching

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landscape

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etching

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romanticism

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genre-painting

Dimensions 205 mm (height) x 130 mm (width) (brutto)

Curator: Here we have "The Shepherd and the Dog", number seven from a series of twenty-five images for children by Christian Winther and Martinus Rørbye, dating back to 1846. Editor: Oh, what a lovely little scene! It’s so still and calm, despite the alert posture of the dog. There's an immediate sense of companionship and shared watchfulness. It feels almost meditative, wouldn't you agree? Curator: I do. The artists were keen to capture something quite timeless, I suspect. You know, depictions of dogs acting as steadfast guardians go back millennia. Look at Cerberus in Greek mythology. And shepherds with their flocks are practically archetypal figures. Editor: Indeed. Dogs are powerful symbols of loyalty, and the pastoral setting speaks to simplicity, a life lived in harmony with nature. But tell me, why this as an educational piece for children? What's it supposed to convey? Curator: I believe the aim was to impart values. To foster an appreciation for quietude, duty, and, most importantly, loyalty. Rørbye, who etched this particular piece, was very invested in the importance of national identity. This scene perhaps suggests a peaceful Danish countryside, and by extension a kind of virtue. Editor: It's interesting how loaded such an apparently simple image can be. I’m struck by the subtle detail in the dog's alert posture - every muscle feels tense and ready, so juxtaposed with the relaxed, recumbent figure of the shepherd boy. The contrast really highlights the dog's unwavering dedication to his duty. Curator: Absolutely, and etched prints are brilliant at creating those finely articulated contrasts. Editor: Now I see the landscape beyond the pair as almost secondary. I read the print initially as the dog being watchful over the resting shepherd. I thought about his place in that time. Now I think, rather, that they’re a partnership overseeing the well-being of the sheep! Curator: Perhaps Rørbye wanted the kids to remember not just companionship, but collective care as well. The boy and dog protect the flock and belong to the community of shepherd and sheep. A tiny, Romantic idyll. Editor: So much rests in such a seemingly simple etching! The image hums with echoes, a quiet resonance between landscape, figures and, ultimately, the cultural memory that sustains them.

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