Portret van Franz Stephan Rautenstrauch by Johann Ernst Mansfeld

Portret van Franz Stephan Rautenstrauch 1775

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Dimensions height 171 mm, width 120 mm

Curator: The intense details created using the engraving technique here lend this portrait a somewhat austere feeling, wouldn't you agree? The subject has quite the serious look. Editor: Indeed. We are looking at a Baroque print dating back to 1775. It's a portrait of Franz Stephan Rautenstrauch by Johann Ernst Mansfeld. The process of engraving, etching away at the metal plate, would require a skilled artisan. Notice how the precision of the lines helps to capture Rautenstrauch's features and conveys a sense of formality suitable to the clergy. Curator: Precisely! This image probably existed to publicly affirm and circulate the image of this important abbot across Bohemia. How do you see it fitting into the broader picture of portraiture at the time? Editor: Well, consider the institutions that would have supported this type of portraiture—the church, learned societies, even wealthy patrons desiring to align themselves with figures of power and knowledge. Portraits like this, printed and distributed, contributed to constructing reputations and solidifying social hierarchies. Curator: And consider the labour—the artist who conceived it, the engraver translating the original design, and the pressmen producing multiple copies. There's a whole network of craft and production involved. Editor: That's a great point. The print medium made it relatively accessible, which in turn broadens its impact and allows a wider audience to participate in the visual culture of the era. Curator: Thinking about the afterlife of the portrait and how this image can now inform us of 18th century class structures opens a broader discussion about its public role. Editor: Absolutely. It prompts us to delve into the politics inherent in visual representation. What stories do portraits like this tell and who gets to tell them? Curator: Food for thought, really showcasing both the materials of art production and their social effects. Editor: Precisely; hopefully, the questions we posed enrich your viewing experience.

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