Pa. German Jar with Lid by Ethelbert Brown

Pa. German Jar with Lid c. 1941

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watercolor

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watercolor

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folk-art

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watercolour illustration

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watercolor

Dimensions: overall: 37.9 x 30.4 cm (14 15/16 x 11 15/16 in.) Original IAD Object: 12" high; 12" wide

Copyright: National Gallery of Art: CC0 1.0

Curator: Isn't it charming? It's Ethelbert Brown's watercolor, "Pa. German Jar with Lid," created around 1941. A sweet, unassuming rendering, really. Editor: It certainly is unassuming. I'm struck by its quiet domesticity, almost bordering on melancholy. The muted tones and centered composition lend it a stillness, as if the jar itself is holding its breath. Curator: I find that really perceptive. It does capture a sense of stillness, of quiet, maybe even resilience. These utilitarian objects, you know, they carried so much history, family history, communal history. This could be the pickle jar for generations. Imagine what secrets it holds? Editor: Absolutely. This seemingly simple jar becomes a vessel, a repository not just for food, but also for memory and tradition. I'm curious about the context of "Pa. German." That refers to the Pennsylvania Dutch, descendants of German-speaking immigrants, right? And their material culture, including pottery like this, was deeply connected to their identity and resistance to assimilation. Curator: Precisely. These objects were cultural touchstones. The form, the decoration—it all spoke to a heritage they were determined to maintain. And note the little flourishes; the year 1818 inscribed on one side and what looks like the name "Harmi" etched onto it. A reminder that behind every practical piece, there is human intention, personal stories woven in. The artist almost acts as a historian here, immortalizing a vessel with cultural significance. Editor: It really invites questions about use, about ownership, about labor, who fired this, whose table did it sit upon? Whose hands reached inside, for what provisions? This is an act of remembering through craft and artistry. Beyond the surface beauty there's an implied narrative, dense and intimate. The choice of watercolor feels deliberate; a medium that can be simultaneously transparent and rich, fragile and enduring – like the histories it represents. It prompts us to contemplate the politics inherent in everyday objects and to consider their symbolic significance. Curator: You're right, it's deeper than just a pretty jar. It speaks volumes about cultural identity and historical preservation. Thank you for sharing your take! It’s given me much food for thought. Editor: And thank you, too. It’s amazing what we can unearth from such an unassuming subject. It speaks volumes, this jar, if you let it.

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