Stone Jug by Carl Buergerniss

Stone Jug c. 1939

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drawing, watercolor

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drawing

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charcoal drawing

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watercolor

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watercolor

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realism

Dimensions overall: 35.7 x 45.6 cm (14 1/16 x 17 15/16 in.) Original IAD Object: 10" High 5 1/4" Dia(top)

Curator: Good morning! Let's take a look at Carl Buergerniss's "Stone Jug," likely created around 1939, rendered in watercolor and charcoal. What strikes you first? Editor: It's heavy. Not physically, of course, but in the way it sits there. It feels grounded, like a patient old friend waiting for a story to unfold. A story it probably holds within itself, come to think. Curator: Absolutely. It’s interesting how Buergerniss focuses on this single object, imbuing a seemingly simple utilitarian item with significance. You see these kinds of pieces popping up during the Great Depression. Art that emphasized the everyday, that felt accessible. Editor: You know, I’m drawn to how the light plays on the surface. He's captured this gorgeous, subtle sheen that hints at generations of use. Each mark and imperfection speaks to the touch, the feel of human hands. Curator: And notice how he’s managed to create a three-dimensionality using minimal tonal variations. The stark simplicity of the background throws the jug’s form into sharper relief. Did the artist ever use this in another piece or collection? Editor: Not that I am aware of, though similar subject matters of common household objects appeared often, often to elevate mundane, practical things. In some ways this is radical art, elevating working class material goods into museums. A humble vessel holding…what, stories, perhaps? Curator: Possibly! It’s also worth pondering whether this jug has personal meaning for the artist. Sometimes artists become attached to certain objects, which take on a life of their own, imbued with intimate and domestic histories. It serves almost like a time capsule to us in many ways, don't you think? Editor: Definitely! It is indeed a poignant reminder of simpler times. And a subtle call to appreciate the often overlooked objects that form the quiet backdrop of our lives. Curator: Precisely. It is interesting how something this commonplace could speak to so much about the moment and what art’s purpose could serve. Editor: Absolutely, so let's move to our next piece and uncover some more histories.

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