About this artwork
This is a Tankard made by Hanss Lambrecht III around the mid-17th century, standing just over 8 inches tall. Crafted from silver, its surface is a dazzling display of relief work, predominantly floral motifs. Notice how the tankard is structured into distinct zones: the base, body, lid, and handle, each densely ornamented, yet unified by the consistent use of organic forms. The eye is drawn to the three large flowers evenly spaced around the body, their detailed petals creating a play of light and shadow. This repetition establishes a rhythm, but each flower's unique posture avoids monotony. Lambrecht’s choice of silver allows for incredible detail. The floral decorations give the tankard a sense of abundance, perhaps reflecting the prosperity and status of its owner. Its aesthetic invokes a world of symbolism, where flowers speak of growth, beauty, and the transience of life. This piece transcends its practical function to become a commentary on nature, society, and the fleeting nature of existence.
Tankard
1655 - 1665
Hanss Lambrecht III
1630 - 1670The Metropolitan Museum of Art
Metropolitan Museum of Art, New York, NYArtwork details
- Medium
- silver, metal, sculpture
- Dimensions
- Height: 8 5/8 in. (21.9 cm)
- Location
- Metropolitan Museum of Art, New York, NY
- Copyright
- Public Domain
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About this artwork
This is a Tankard made by Hanss Lambrecht III around the mid-17th century, standing just over 8 inches tall. Crafted from silver, its surface is a dazzling display of relief work, predominantly floral motifs. Notice how the tankard is structured into distinct zones: the base, body, lid, and handle, each densely ornamented, yet unified by the consistent use of organic forms. The eye is drawn to the three large flowers evenly spaced around the body, their detailed petals creating a play of light and shadow. This repetition establishes a rhythm, but each flower's unique posture avoids monotony. Lambrecht’s choice of silver allows for incredible detail. The floral decorations give the tankard a sense of abundance, perhaps reflecting the prosperity and status of its owner. Its aesthetic invokes a world of symbolism, where flowers speak of growth, beauty, and the transience of life. This piece transcends its practical function to become a commentary on nature, society, and the fleeting nature of existence.
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