Dish with the coat of arms of Hendrik Peter Godfried Quack and Isabella Gertraud von Carnap c. 1790 - 1800

Editor: This is a stoneware dish, dated around 1790-1800. It features the coat of arms of Hendrik Peter Godfried Quack and Isabella Gertraud von Carnap and it’s held in the Rijksmuseum collection. I'm really struck by the delicate balance between the ornate golden details and the stark white background. What do you see when you look at it? Curator: The visual composition is immediately compelling. Notice how the central coat of arms acts as a focal point, drawing the eye inward. The surrounding laurel wreath, rendered in precise detail, creates a sense of containment and symmetry. Do you observe how the gilding isn't uniform, varying in thickness? This suggests layers of application and the hand of the artisan. Editor: Yes, I see that now! It almost looks like the gilding itself has texture. So, beyond the visual appeal, what does the form itself tell us? Curator: The circular format reinforces the heraldic design's self-referential nature. The use of negative space—the expanse of white—is as important as the gilded motifs. It amplifies the symbolic weight of the central design. Consider also the contrast between the stylized naturalism of the wreath and the abstract symbolism of the coat of arms. What visual tensions does that create? Editor: I hadn’t thought about the tension, but it’s definitely there. It creates a dynamic relationship between the two parts that frame the overall aesthetic of the piece! Thanks so much! Curator: Indeed. A thorough formal analysis enhances our comprehension and appreciation of the artifact beyond mere historical or decorative considerations. A useful experience, wouldn't you agree?