Skitser af traner by Niels Larsen Stevns

Skitser af traner 1900 - 1905

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drawing, paper, watercolor, pencil

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drawing

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landscape

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paper

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watercolor

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pencil

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watercolor

Dimensions 175 mm (height) x 110 mm (width) (bladmaal)

Editor: We're looking at "Skitser af traner," or "Sketches of Cranes," created between 1900 and 1905 by Niels Larsen Stevns. It's a delicate work, pencil and watercolor on paper. I'm struck by how ephemeral these crane sketches seem, like glimpses caught on the wing. What do you see in it? Curator: Ephemeral is a wonderful word for it, really. These sketches feel like captured thoughts. For me, there's a real sense of intimacy here, like we're looking over the artist's shoulder as he's observing these birds. They're not grand portraits, but fleeting impressions, each line suggesting movement and life. Stevns is reaching for something beyond just depicting a crane. What do you think he's after? Editor: Hmm, maybe capturing the essence of flight itself? Or the unique personality of each bird? Curator: Exactly! Think about it: around 1900, artists were increasingly interested in capturing subjective experiences, inner states. Photography could give you a perfect representation, but these sketches convey feeling. Do you see how some of the cranes are only suggested with a few strokes? Almost like he's trying to capture a memory. It's fascinating how much emotion he can convey with so little. Editor: It makes me appreciate the beauty in the unfinished, you know? It’s almost more evocative this way. I initially perceived the work as 'unfinished' rather than complete. Curator: And sometimes the journey is more important than the destination. Editor: Right, the *idea* of the crane rather than the *actual* crane. That's pretty special. Curator: Precisely! And it’s a testament to Stevns' skill that he can invite us into his artistic process so openly. I see now more that the feeling or essence that’s imparted is something to do with my feeling when trying to observe birds. Editor: It’s almost as though he is using our emotions and experience of the world in his work, rather than purely working from within himself. That's quite a gift, the crane may well not even look like that but the artist captures how it *feels* to see a bird. Thank you for this!

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