About this artwork
This print was made in 1607 by an anonymous artist, likely in the Netherlands. It is an etching, a technique that employs acid to create lines in a metal plate, which then is inked and printed. The image displays a procession of figures, each carrying a branch, and it is the linear quality of etching that defines the scene. Notice how the cross-hatching creates tonal depth, giving form to the figures and their elaborate costumes. The sharpness of the lines also lends a crisp formality to the scene, befitting a formal procession. But consider too what the choice of etching represents. Unlike painting or sculpture, prints are reproducible. This speaks to a burgeoning media culture in the 17th century, as well as the increasing importance of civic identity. The print commemorates a specific group, the rhetoric society of Hazerswoude Dorp, suggesting the rising power of local organizations.
Optocht door de rederijkerskamer De Haselieren uit Hazerswoude Dorp (vierde deel), 1607 1607
Anonymous
@anonymousLocation
RijksmuseumArtwork details
- Medium
- print, engraving
- Dimensions
- height 197 mm, width 324 mm
- Location
- Rijksmuseum
- Copyright
- Rijks Museum: Open Domain
Tags
narrative-art
figuration
genre-painting
northern-renaissance
engraving
Comments
No comments
About this artwork
This print was made in 1607 by an anonymous artist, likely in the Netherlands. It is an etching, a technique that employs acid to create lines in a metal plate, which then is inked and printed. The image displays a procession of figures, each carrying a branch, and it is the linear quality of etching that defines the scene. Notice how the cross-hatching creates tonal depth, giving form to the figures and their elaborate costumes. The sharpness of the lines also lends a crisp formality to the scene, befitting a formal procession. But consider too what the choice of etching represents. Unlike painting or sculpture, prints are reproducible. This speaks to a burgeoning media culture in the 17th century, as well as the increasing importance of civic identity. The print commemorates a specific group, the rhetoric society of Hazerswoude Dorp, suggesting the rising power of local organizations.
Comments
No comments