Optocht door de rederijkerskamer De Haselieren uit Hazerswoude Dorp (eerste deel), 1607 by Anonymous

Optocht door de rederijkerskamer De Haselieren uit Hazerswoude Dorp (eerste deel), 1607 1607

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print, engraving

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baroque

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print

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figuration

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line

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genre-painting

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history-painting

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engraving

Dimensions: height 200 mm, width 131 mm

Copyright: Rijks Museum: Open Domain

Curator: This engraving from 1607 is entitled "Procession of the Chamber of Rhetoric 'De Haselieren' from Hazerswoude Village, Part One." Editor: My initial reaction? Stiff, like actors backstage waiting for a cue, but there's a funny awkwardness to their stances, especially the guy trying to carry what looks like a picture frame... empty? Curator: Right, that chamber of rhetoric you’re mentioning, "De Haselieren," was a dramatic society. The artwork provides insight into the cultural landscape of the time, reflecting a specific communal identity. This engraving suggests how performance was vital to local self-representation and civic life. Think town fairs, pageants… Editor: A proto-theatre-geek convention! I dig it. There's a sweetness, an almost forced optimism to their parade. I bet this engraver captured a real scene; did someone say, “Hold that pose!”? Curator: That’s a clever analogy. Analyzing the garb is insightful too; note the costumes –they hint at social strata and carefully chosen representations to elevate social standings, but simultaneously demonstrate belonging. It’s crucial to observe not just *what* they wore, but what wearing those signified in 17th-century Netherlands. Editor: So clothing as coded communication! Interesting. Though those short little pleated skirts on the men... risky fashion choice even back then, maybe? They look oddly infantile… almost cartoonish when paired with the facial hair. Curator: Precisely. Consider, too, that gender presentation, much like today, allowed individuals to play roles within prescribed parameters of social legibility, as you keenly observed, by subtly undercutting our preconceived expectations. The engraver remains anonymous; understanding their own situated perspective enriches interpretations. Editor: Mmm, interesting point to highlight—an anonymous artist reflecting their community! It kinda comes full circle, this print of players frozen in time still asking questions. What did this *feel* like? So many unanswerable questions shimmering beneath that baroque veneer. A riddle etched in lines... I’m bewitched! Curator: Indeed. This engraving showcases not merely faces and clothing, but illuminates social aspirations, civic pride, and individual identity negotiation within the collective of its time.

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