Portret van een vrouw staand bij een fauteuil by Charles Binger

Portret van een vrouw staand bij een fauteuil 1878 - 1887

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photography, gelatin-silver-print

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portrait

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photography

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historical photography

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gelatin-silver-print

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19th century

Dimensions height 91 mm, width 60 mm

Curator: Welcome, everyone. Before us we have "Portret van een vrouw staand bij een fauteuil," which translates to "Portrait of a Woman Standing by an Armchair." This gelatin silver print, created sometime between 1878 and 1887, offers us a glimpse into late 19th-century portraiture. Editor: My first thought is of quiet dignity, almost…contained. There’s a certain weight, a stillness to her pose and expression. It’s like a little scene trapped in amber, isn’t it? Curator: Precisely. In this era, portraiture served a significant social function. Photographs like these provided a visual record of one's social standing and personal identity. Notice how the carefully chosen details - her attire, the ornate chair, the draped background - reinforce that idea. Editor: Oh, absolutely. She's curated! But the interesting thing is how much these very controlled, stiff compositions, give a sense of the people. Like this lady – does she not just look *done* with everything? She definitely possesses an air of having seen it all! I get the impression that she could share a good story. Curator: It’s interesting you say that, because portraiture of the time—photography specifically—presented new modes of representation. There’s an inherent tension between capturing an individual and representing broader social codes. Were these women expressing something truly personal, or adhering to norms and expectations? It is fascinating to consider. Editor: Norms, schmorrms! Honestly, when I look closer at the soft fringing of that chair, against the starch of her ruffled cuffs, it tells such a lovely and compelling story on its own, does it not? One about contrasts, tactile textures and…dare I say it? Hidden passions? Okay, maybe I'm reading into the photograph way too much but you get what I mean. Curator: Well, art always is more than the materials it is made out of. These small domestic markers invite to create an emotional story, after all! Editor: Yes! Let's follow those traces, get lost in their worlds. Thank you for the insights on social constructs, truly fascinating.

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