Euphrosyne Parepa-Rosa (1836-1874) 1869 - 1874

This portrait of Euphrosyne Parepa-Rosa was captured by Jeremiah Gurney, using a photographic process known as the “carte de visite”. This method involved using a special camera with multiple lenses to produce several images on a single glass plate, enabling mass production and affordability. Here, the materiality of photography is crucial; light-sensitive chemicals, glass plates, and printing techniques, all combined to create a portable likeness. The final print is mounted on card stock, and its sepia tone lends the image a sense of warmth. These small, easily distributed photographs gained immense popularity during the mid-19th century, fueled by industrial advancements and a growing middle class eager to participate in visual culture. The mass production of these images democratized portraiture, making it accessible to a wider audience, and transforming photography from a scientific curiosity into a mainstream commodity. In understanding this artifact, we delve into the intersection of art, industry, and social practice.