Curved Plane Figure VIII 1995

Robert Mangold’s “Curved Plane Figure VIII” presents us with a study in geometric abstraction, primarily through the interplay of shape and color. Two semi-circular orange planes flank a central rectangular grey area, creating a rhythmic visual experience. The orange segments are not uniform; they are overlaid with elliptical forms drawn with muted precision. Mangold's use of line disrupts the smooth planes, questioning the solidity of the painted surface. The composition challenges our perception by positioning curves against the implied rigidity of the rectangle, destabilizing the idea of fixed geometrical forms. This work is indicative of Mangold’s broader project, which investigates the relationship between shape, surface, and line. It exists as a visual proposition, inviting the viewer to consider how lines and shapes interact to construct or deconstruct space. The subtle shifts in color further emphasize the formal elements at play, creating a dynamic tension that engages the viewer in a dialogue about form and perception.