Portret van Johann Marx by Lukas Schnitzer

Portret van Johann Marx 1666 - 1671

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print, paper, ink, engraving

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portrait

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baroque

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print

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book

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old engraving style

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paper

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ink

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history-painting

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engraving

Dimensions height 193 mm, width 123 mm

Curator: This is a striking portrait, engraved with ink on paper. It depicts Johann Marx, and dates roughly from 1666 to 1671. The piece currently resides in the Rijksmuseum. Editor: My first impression is one of profound sobriety. The somber tone is immediately set by the tightly controlled lines and the man's steadfast gaze. He appears a figure deeply rooted in tradition, perhaps even a little severe. Curator: The use of engraving really lends itself to a sort of graphic intensity. Look closely at the minute hatching and cross-hatching; notice how the light and shadow interact on his face, especially around the eyes and the very elaborately detailed collar. It speaks volumes about technique and craft. Editor: Absolutely, and speaking of the collar, the ruff is a powerful symbol itself – literally a barrier but also representing status and adherence to societal norms. Then, you have him holding what appears to be a book or perhaps a bible, further solidifying the iconography of authority and learning, while the other hand holds what looks like a hat. Curator: An interesting point. The textual inscription below the image, also rendered with precision, would likely provide a further level of meaning when understood within its historical context. Semiotics, through text and symbols, give order to it. Editor: True, the portrait employs very specific visual symbols which would have communicated layers of meaning to contemporary viewers, shaping their understanding of Johann Marx's position and character. Think about it; a visual echo over generations, how portraits continue to reflect the cultural values we attach to them. Curator: Yes, the balance in the composition itself creates a rather stoic presentation, doesn't it? Editor: In considering the emotional landscape of such images, it does. Curator: Studying this image reminds me about the power that lies in form and the control an artist exerts over perception. Editor: And I'm left reflecting on how cultural symbols help bind generations in shared, albeit sometimes shifting, meaning.

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