The Battle of Orgreave Archive (An Injury to One is an Injury to All) by  Jeremy Deller

The Battle of Orgreave Archive (An Injury to One is an Injury to All) 2001

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Dimensions: overall display dimensions variable duration: 62min

Copyright: © Jeremy Deller. Commissioned and Produced by Artangel. | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: Jeremy Deller's "The Battle of Orgreave Archive (An Injury to One is an Injury to All)" seems to bring together a collection of materials. It gives off the feeling of piecing together a historical narrative. How does its display shape our understanding of the events? Curator: Deller’s work brings the politics of memory to the forefront. The archive, displayed within the institution of the museum, invites us to consider how historical events, particularly those involving conflict and social unrest, are framed and remembered, doesn't it? Editor: Yes, it does! It almost feels like he's challenging the official narrative by giving space to these alternative documents. Curator: Precisely. And think about the title; it's a powerful statement about collective solidarity against injustice. How does the title resonate with you in the context of the miners' strike? Editor: It highlights how the miners saw the attacks on one of them as an attack on all. It makes me question whose stories are deemed important enough to preserve and display. Curator: Exactly. It’s a powerful reminder of the role art can play in shaping public memory.

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tate 6 days ago

http://www.tate.org.uk/art/artworks/deller-the-battle-of-orgreave-archive-an-injury-to-one-is-an-injury-to-all-t12185

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tate's Profile Picture
tate 6 days ago

The Battle of Orgreave Archive (An Injury to One is an Injury to All) is an installation comprising texts, documents, objects, videos and other archival material, which provide a context for examining the intertwined narratives of two events: the 1984 strike by the National Union of Mineworkers (in particular the specific confrontation between striking miners and the police that occurred at the Orgreave Coking Plant in Yorkshire on 18 June 1984), and Jeremy Deller’s 2001 re-enactment of the same conflict, which the artist called The Battle of Orgreave. Split between two rooms, the installation presents its constituent materials in a way that blurs the boundaries between their status as objective documents on the one hand, and historical relics on the other.