The Actors Ichikawa Ebizo II as Musashibo Benkei, Sakata Shintaro (?) as Soga no Goro, and Takigawa Kinya (?) as Soga no Juro in the play "Sazareishi Suehiro Genji," performed at the Nakamura Theater in the first month, 1744 by Torii Kiyonobu II

The Actors Ichikawa Ebizo II as Musashibo Benkei, Sakata Shintaro (?) as Soga no Goro, and Takigawa Kinya (?) as Soga no Juro in the play "Sazareishi Suehiro Genji," performed at the Nakamura Theater in the first month, 1744 1744

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print, woodblock-print

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portrait

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print

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asian-art

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ukiyo-e

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woodblock-print

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genre-painting

Dimensions: 29.8 × 13.8 cm (11 11/16 × 5 7/16 in.)

Copyright: Public Domain

Editor: This woodblock print by Torii Kiyonobu II, made around 1744, depicts actors in a play—it’s a real snapshot of theatrical life! I’m immediately struck by the imposing figure towering over the others; there’s almost a comical intensity to his expression. What do you see in this piece, and how does it fit into the Ukiyo-e tradition? Curator: It’s more than just a snapshot; it’s a carefully constructed moment! Ukiyo-e prints like this one were really the pop culture of their time, weren't they? This print captures a specific performance, almost like a playbill, and serves as an advertisement. But look at the dynamic composition, how the figures are arranged to create tension. Editor: Tension, yes! The downward gaze, and that held staff—it all adds to that drama. And I guess Ukiyo-e weren’t just simple souvenirs. Curator: Exactly! These prints celebrated the ephemeral pleasures of urban life, the actors, the courtesans, the bustling city. And it's fun how each artistic choice in this piece—the exaggerated features, the vibrant costumes, even the formalized background – contributes to this world-building. It is theatrical on paper, quite literally. Tell me, what story do *you* think is unfolding here? Editor: Hmm, the story... I'd say a powerful warrior figure (perhaps disguised or misunderstood), challenged by those smaller figures. It's a visual power struggle! Curator: I love that. Think how that warrior subverts what we think about the power that the two younger people embody; maybe it makes him rethink everything, too. Editor: I hadn't considered the two-way dynamic there, or its context to the viewer in that time! It really does bring the scene to life. Curator: Absolutely, and isn’t that the joy of looking closely? It’s not just what's depicted, but what whispers from the woodblocks into our own imaginations!

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