An Actor in a Role Standing with a Paddle by Katsukawa Shunsho

An Actor in a Role Standing with a Paddle c. late 18th century

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print, ink, woodblock-print

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portrait

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print

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asian-art

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ukiyo-e

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figuration

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ink

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woodblock-print

Dimensions 10 13/16 × 5 11/16 in. (27.5 × 14.4 cm) (image, sheet, hosoban)

Editor: So, here we have "An Actor in a Role Standing with a Paddle" by Katsukawa Shunsho, a late 18th-century woodblock print. There's something very melancholic about the actor's downward gaze and slumped posture. How do you interpret this work within the context of its time? Curator: Well, you've already keyed into something essential. These actor prints, known as *yakusha-e*, were hugely popular. But it's crucial to understand that Kabuki theatre wasn't just entertainment. It served as a vital platform for social commentary, often circumventing official censorship. Now, this particular actor...does he strike you as celebratory, or is something else at play? Editor: Definitely not celebratory. He seems weighed down. The fact that the print immortalizes him in this moment, this vulnerable pose, feels deliberate. Curator: Exactly. These prints, circulated widely, functioned as both publicity and as a way to solidify the actor’s image within the public consciousness. Was the print just meant for fandom, or do you see any critique here? Maybe on the performer's hard lifestyle? Editor: That makes a lot of sense! Seeing him as a commentary rather than just a depiction changes everything. Given the tight constraints of the shogunate, art seemed to carve out this unique space to question power... Curator: Precisely! Prints like this highlight the socio-political role of art, capturing those fleeting performances and turning them into enduring cultural objects. The choice of subject and style were carefully planned with social perception in mind. This actor portrait prompts reflections about society then and the enduring fascination with performance and identity. Editor: It's amazing to see how deeply these works were intertwined with the social fabric. Curator: Absolutely! We need to appreciate these prints not just for their artistic merit, but as active participants in shaping public opinion and reflecting the concerns of their time.

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