Bigorne 1600 - 1650

This print, titled Bigorne, was made by an anonymous artist, using the technique of engraving. Engraving is an intensive process, requiring a design to be carefully cut into a metal plate, which is then inked and printed. The intricacy and detail of the design, with its densely packed figures and varied textures, testifies to the skill and labor involved. The crisp lines and tonal variations are a direct consequence of the engraver's precise control over the burin, the tool used to cut the lines. But consider too, that prints like this were made for a market. They were relatively inexpensive to purchase, and circulated widely. This image shows the mythical creature, the Bigorne, feasting on henpecked husbands. Other figures depict domestic discord, suggesting this print served as a commentary on social mores, intended for a broad audience beyond the elite. So, the material and making of this print speaks to a democratization of imagery, where skilled craftsmanship met the demands of popular culture. It challenges the notion that art must be unique and precious, instead highlighting its role in disseminating ideas and engaging with everyday life.