Jug by Arthur Mathews

Jug c. 1937

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drawing, paper, ink

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drawing

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paper

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ink

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decorative-art

Dimensions overall: 29 x 22.9 cm (11 7/16 x 9 in.) Original IAD Object: 19" High 11" Dia

Curator: Arthur Mathews's drawing, "Jug," created around 1937, intrigues me with its apparent simplicity. Ink on paper, rendered in a limited palette. What stands out to you? Editor: The antique patina, a sense of bygone utility. It feels nostalgic, perhaps pointing to simpler times and a connection with everyday life. Curator: Indeed. Structurally, the composition utilizes contrasting shapes. Note the stark geometric forms of the jugs compared with the organic fluidity of the floral centerpiece. Semiotically, these contrasting visual elements perhaps signify the balance between functionality and aesthetic appreciation. Editor: That resonates. The "jug" itself as a mundane object versus the flower, a symbol of beauty—perhaps highlighting a desire to elevate domestic objects in a society stratified by wealth during the Depression era. Was Matthews making a political statement by focusing on ordinary items? Curator: Possibly, although more broadly the decorative arts sought beauty in accessible forms, reflective of functional craft and fine art. Notice also the precision of line against the slightly distressed paper background. Editor: That interplay definitely complicates matters. A mass-produced jug becomes art through focused craft and elevation onto a display. I wonder how accessible these decorative items actually were in the '30s for marginalized communities. Curator: Access is an important qualifier. Even a rendering challenges conceptions. The piece's restrained elegance appeals to me; I get a strong sense of its visual economy, yet this drawing elicits abundant dialogue about the purpose and class. Editor: Right. On the surface, it's unassuming. But as we peel back the layers of technique and socio-economic contexts, this “Jug” invites a re-evaluation of decorative arts. It underscores how domesticity is so laden with class. Curator: Thank you. Such discourse helps bridge the visual language of “Jug” with complex sociopolitical histories. Editor: Of course! Understanding how artists like Arthur Mathews negotiated craft traditions is always helpful.

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